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भारत को मातृदेवी के रूप में चित्रित करके भारत माता या 'भारतम्बा' कहा जाता है। भारतमाता को प्राय नारंगी रंग की साड़ी पहने, हाथ में तिरंगा ध्वज लिये हुए.


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The Bharat Mata painting locates in Victoria Memorial Hall in Kolkata, India. 7. Technique and Medium. The artist reflects the use of Japanese wash-style techniques with Chinese ink painting. Earlier, the artist modernised the Mughal and Rajput miniature art forms, but the Bharat Mata painting does not showcase this style.


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Bharat Mata ( Bhārat Mātā, Mother India in English) is a national personification of India ( Bharat [1]) as a mother goddess. Bharat Mata is commonly depicted dressed in a red or saffron -coloured sari and holding a national flag; she sometimes stands on a lotus and is accompanied by a lion. [2]


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That Aurobindo considered Bharat Mata worthy of navavidha bhakti or nine-fold worship is a good indicator as to how the image of India as a mother goddess had already taken root in 1905.


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Instead of worshipping a god or a goddess, the temple has a huge topographical map of the Indian subcontinent carved in marble. The map is the temple's deity. Construction of Bharat Mata Mandir began in 1918 and completed in 1924. The temple was officially inaugurated in 1936 by Mahatma Gandhi. The 20th century Hindi poet Maithili Sharan Gupt.


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Bharat Mata (Hindi, from Sanskrit भारत माता), Mother India, or Bharatamba (from अंबा amba 'mother') is the national personification of India as a mother goddess. She is usually depicted as a woman clad in an orange or saffron sariholding a flag, and sometimes accompanied by a lion. The image of Bharat Mata formed with.


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But the history behind it is of a violent, turbulent time in pre-Independence India. When was the Bharat Mata painting created and why? In the year 1905, the then Viceroy of India, Lord Curzon, decided to divide Bengal into two parts under his notorious Divide and Rule policy. The eastern part would be for Muslims, and the western part for Hindus.


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The national personification of India as a mother goddess, known as Bharat Mata (Hindi, derived from Sanskrit), Mother India, or Bharatamba (incorporating 'amba,' meaning mother), emerged as an important symbolic representation in Indian art and literature.


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Bharat Mata is a work painted by the Indian painter Abanindranath Tagore in 1905. However, the painting was first painted by Bankim Chandra Chatterjee in the 1870s. The work depicts a saffron-clad woman, dressed like a sadhvi, holding a book, sheaves of paddy, a piece of white cloth, and a rudraksha garland (mala) in her four hands.


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भारत माता का चित्र अवनींद्र नाथ टैगोर (Abanindranath Tagore) ने बनाया था। अवनींद्र नाथ टैगोर इंडियन सोसाइटी आॅफ ओरियण्टल आर्ट के मुख्य चित्रकार.


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The idea of the 'Bharat Mata' or Mother-Goddess India germinated in the 19 th century Calcutta (modern-day Kolkata) through the 1873 play of Kiran Chandra Banerjee ( Bharat Mata ), Bankim Chandra Chattopadhyay's Anandamath (the Vande Mataram song, 1882), patriotic essays by Bipin Chandra Pal and the classic Bharat Mata painting by Abanindranath.


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Jha, Sadan. "The Life and Times of Bharat Mata: Nationalism as Invented Religion." Manushi 142 (2004): 34-38. A short but important essay that points to Hindi-language sources on Mother India, such as the writings of Hindi literary figures Phaniswarnath Renu and Sumitranandan Pant.


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Bharat Mata took on a far more aggressive appearance in subsequent depictions. In the history of modern Indian art, Bharat Mata has adorned the canvas of only two artists of repute. The first was the product of the Bengal Renaissance, Abanindranath Tagore, who first visualised the Indian nation as the Mother..


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The slogan, 'Bharat Mata Ki Jai' is often interchangeably raised with Vande Mataram and shares a common history too. Though it is extremely difficult to pin-point when this slogan first came into existence, the genealogy of the figure of Bharat Mata has been traced to a satirical piece titled Unabimsa Purana ('The Nineteenth Purana') by Bhudeb Mukhopadhyay, first published anonymously.